Here's a post for the student charged with researching Hans Zimmer, the composer of most of the music in "Gladiator". I'm looking forward to the feedback on the research on the Russell Crowe, Joachim Phoenix, Ridley Scott, Hans Zimmer, The Producer, David Franzoni (there are two) and how technology was used to cover up the fact that Oliver Reed died part way through the film. Consider also how speeches early in the film seem to foreshadow America and Britains' "War on Terror" in Afghanistan and Iraq with the US as the modern equivalent of The Roman Empire.
Students should also notice how "Gladiator" links the past with present with the current vogue of the Reality TV shows in which contestants try "do one another in" and then rely on audiences "saving" them in phone votes, etc. (For instance, The Weakest Link", "The Apprentice", "I'd Do Anything", etc.). Is it any wonder that Gladiator, made during the turn of the last century and the new Millennium in which audiences were encouraged to look back and look forward, appealed to modern audiences who have since been schooled in gladiatorial television series? The caesars are the panel show hosts with Carphone Warehouse sponsoring the plebs who vote from their armchairs and setees.